EDITORIAL DESIGN + STORYTELLING

SOJOURN

Overview

Sojourn was designed as part of my grad school curriculum. Themed around the pandemic, it is an e-magazine that focuses on the ironic togetherness that came about as a consequence of social isolation. 

“Normality” changed with the pandemic and so did people’s approach towards leadership and connections. In this magazine, I craft creative ways for readers to think about what we gained during this time, and how we can show up for one another to support various communities. 

 

Project Timeline

Oct 1, 2021 - Dec 10, 2021 

Deliverable

  • Create a portfolio sample that showcases your communication & leadership skills

  • Showcase the seven tenets of our graduate program: storytelling, technology, values, diversity, responsibility, advocacy, and community

Content Goal

  • To highlight the “bright side” of social isolation 😎


THE INSIDE SCOOP

Knowing My Audience

The immediate audience for this project were meant to my grad school peers: students pursuing the Communication Leadership program at UW, Seattle. Ideally, they are expected to be well-versed in various communication and leadership practices, as well as hold knowledge of the 7 tenets of our grad program.

I chose the theme of the pandemic due to its relevance at the time. However, I wanted to do this with a positive spin so that people seek out opportunities in places they first saw loss.

 

Finding The Perfect Name

I was looking for a name that was short, easy-to-pronounce, complementary to the theme of social distancing, but with a positive connotation. After a heavy brainstorming session, I finally landed on Sojourn— a verb that means “to stay in a place temporarily”. 

The name was perfectly complementing the “temporary” nature of this social isolation, and worked as a reminder for my readers that this whole “staying in one place” business will soon come to end.

 

Content Mix Development

During the research, I looked into a variety of existing magazines like The NY Times, National Geographic Traveler, etc. for inspiration. However, due to the unique theme of my project as well as the unique audience base, I knew my design had to be unconventional. I had to account for the fact that the pandemic massively accelerated the trend for more informal content.

There was no room for commercial advertisements in my magazine, and hence, I needed engaging photographs or illustrations to go with clean open space and dynamic interior layouts. I mapped out a series of content pieces that showcased the “bright side” of social isolation as well as aligned well with my graduate programs’ 7 tenets. 

A Radiant Mix of Colors & Type

The magazine design promotes a vibrant & colorful palette to contrast the darkness associated with the pandemic, and bring attention to the “bright side” of it all.

I wanted for the typography to give the magazine a modern and appealing look. Here’s the index of different text styles and their specific uses.

Magazine Cover

I wanted the magazine front cover to walk hand-in-hand with the magazine’s title, Sojourn. I wanted to find a way to showcase stagnancy – the lack of movement– but also, highlight the “temporary” nature of this stagnancy.

So, I played around with a photograph I took of my white canvas shoes and made it gray-scale. It was plain, simple, stagnant, and almost sad– exactly what I wanted! 

Taking inspiration from sound waves, I added in candid strokes around the shoes using the pen-tool as if they were waves coming from the shoes itself, showing a want for movement. I used my colorful palette for these strokes to offer a contrast to the darkness of stagnant shoes, and add excitement to the anticipated movement.

 

Magazine Interior Spreads

The interior spreads of the magazine followed a mixture of two and three column grid structure. My design intentions were to make sure the layout & hierarchy are clear and each page is designed specifically different.

Millennials were a big demographic among my audience base which gave me sufficient flexibility in terms of bright colors, bigger fonts, and asymmetrical layouts. I envisioned a good balance of photos, illustrations, and content material.

Final Look & Feel

The final outcome of the magazine spreads looks cohesive because the visual hierarchy, color schemes and typography converge with each other well. I wanted to prioritize this hierarchy because it allows my readers a consistent flow of each page. Throughout the magazine, my color palette was used as an emphasis for the headline, as well as my illustrations. For the typography, the typefaces are a mixture of bold sans serif and decorative serif. These fonts are legible, modern, and “informal” at the same time.